Sunday, November 8, 2009

Come learn with me! Explore the Mystical Meanings of the Aleph-Bet!


Today, I'm honored and delighted to to present a talk about the mystical meanings of the Hebrew alphabet as part of Agudas Achim Congregation's dedication of a new Torah scroll. My talk will draw on my own book, Songs of Creation: Meditations on the Sacred Hebrew Alphabet, and other sources.

In today's workshop, I will discuss how Hebrew is a seed-sound language and how each letter has a distinctive creative energy all its own. We will explore some of the meanings attached to each letter. Then participants will have an opportunity to create a small piece of artwork about a letter they found particularly meaningful. All supplies will be provided. Finally, we will end our time together with a visual meditation of the Aleph-Bet. I hope our time together will be informative and inspirational!

I hope you can join us. Here are the details:
Title: Exploring the Aleph-Bet: The Mystical Meaning of Hebrew Letters.
Time: 12-1:30pm
Place: Social Hall of Agudas Achim Congregation
Address: 2908 Valley Drive, Alexandria, Virginia 22302.
This workshop is being given as part of the congregation's Torah project. The workshop is free. If you are interested in filling in a letter in the Torah, you can download the Request for Dedication form the website (www.AgudasAchim-va.org) and submit it to the office. Someone will call you to schedule your appointment. the cost of filling in a letter is $54. If you have any questions, call the synagogue at (703)998-5843

Saturday, November 7, 2009

Evolution of Art: An Interview with Bonita Tabakin about "Art from the Heart: Color for Health"

Tonight I am sitting in Beanetics with Bonita talking with her about her work! Her work deals with color, but not color theory, she says.

What do you mean? How is your work about color, but not color theory?
Most people know a little bit about color therapy. This is beyond color therapy. My work occurs at the place where art and science meet, on the border.
Talk to me about the idea of science and art:
Lights and colors cause vibrations. Our bodies interpret this as sound. However, we cannot "hear" these sounds in the typical way. But our inner ear and other sensory perceptions still do exist and operate on a subconscious level.

The paintings I create are about bringing the vibrations to your eyes. Your eyes transport these specific vibrations to every single cell throughout your body. This is photocolor, biological, and chemical.

Can you give me an example?
Yes. My painting, Anthony's Rose, (can be seen on Bonita's website), are 265 very thin layers of watercolors. Each layer has to dry 48 hours before the next layer can be applied. The colors here, the vibrational goals, are to calm the nervous system. These colors are a very light cobalt blue with coral, with an underlying lemon yellow creating the image of a rosebud beginning to open. This connotes the possibility of life with health.

Can you tell me about one of the paintings on display here?
Okay. Let's talk about White Mountain's Glory: The blues in the painting generate calm; specific shades of green are the most dominant is fostering healing. And the silver flecks encourage more calmness. Silver is generally a calmer metal than gold, energetically speaking. Even though there is a lot of wind and sun , lively action in this painting, it was painted in plen air, which invigorates the viewer. The colors cause a deep healing.

Does this same intention apply to "Soaring Swells," which is a very different style of work?
This piece is a very different style on purpose. These continuous active lines tend to attract a great deal of interest from people involved in I.T. and web design as a career. These colors tend to be more turquoise with a combination of cobalt blue, with a touch of deep emerald green, and a dab or two of fuschia, with a lot of white background.

What's the meaning behind your use of these colors?
Since these two careers frequently cause severe eye strain, this design was created and these colors were selected to cause the eyes to relax. It's a simple design with lots of white space without drastic changes.

What role does the fuschia play?
It goes directly to relaxing the heart. So overall, this painting is about relaxing the muscles.

Tell me about the healing intention of "Sweet Dreams."
The entire purpose for Sweet Dreams is to bring in the relaxing effect of the selected blues and greens along with the feeling of the earth, caused by the various shades of ochre, soft yellows, and the use of shadows.

What's the story behind "Sacred Rain with 5 Holographs?" The title is certainly intriguing, and the dog looks very realistic compared to the rest of the painting.
Sacred Rain with 5 Holographs is about energy, complete energy. It opens the heart, opens the heart meridians. It ignites, motivates, connects. It connects you to yourself, other human beings, the land. The reason all this activity happens is that through the eyes the heart and the heart chakras are opened up. The values of reds helps the kidneys to function properly. The purples lower high blood pressure. The violets used lessens inflammation and pain throughout the body. The yellows stimulate the sensory perceptions. The lemon yellow, the golden yellow and the reds stimulate the immune system to increase functioning. The various shades of orange motivates the muscles to cooperate and move together. The lemon yellows facilitate vision perception.

Overall, the painting has 150 layers of thin watercolors. The dog alone has 50 layers. The dog is in the image because it adds a different perspective. It contrasts reality versus abstract. The dog is looking off in the distance to future horizons, as we humans tend to do.


Tell me about the holographs.
When we turn off the lights, five holographs appear to ignite our imagination and surprise viewers. The holographs transport us to another dimension. To know more, you'll have to see the painting for yourself with the lights out.

Lastly, tell me about Flame Within. It has such a richness to it.
Flame Within is a calmer piece. It has more depth to it, with 195 layers of thin water colors. It is an internal piece, fostering your own inner wisdom to deepen and grow. The movement of the lemon yellow and the earthy oranges encourages a meditative state. The gold paper that the painting creates a weightier feel in the body, adding to the deepening process.


Well, Bonita, thank you for the interview. I am sure that the viewers will be very interested in knowing about your use of color and the process you go through to create each piece. It is nice to know that you care so much about the healing qualities of art, and intentionally incorporate the science into what you do.


Tuesday, November 3, 2009

Evolution of Art: Bonita Tabakin's "Art from the Heart: Color for Health" at Beanetics!

Today we hung Bonita Tabakin's exhibit, Art from the Heart: Color for Health. To start with, here's some information about Bonita:

Bonita Tabakin is one of those oddities: a native metro Washington, DC, area resident. She grew up in Prince Georges and Montgomery counties in Maryland; her folks even passed down photos of cows grazing on the Mall grounds and the trolley cars in Washington. As in the grand old story town, she tells stories through her artwork, which forms and joins communities.

Bonita was influenced by several masters—including Michaelangelo, Rembrandt, Whistler, Mastisse, O’Keefe, and Moore—and was fortunate enough to intern with two of them. One was L. Collot D’Herbois, who analyzed where colors lived and how they moved in the universe—an interpretation of environmental hues. Because of an art professor who dubbed Bonita “the colorist of our times,” she also was fortunate to meet Picasso and was inspired by his color, shape, and abstractionist theories.

Bonita has eight pieces on display here at Beanetics through December 25:

“Dessert Passion”
(130 thin watercolor layers with gold leaf throughout, on 140 lb. rag paper) $348
(Same-size giclee print, signed and dated, unframed) $170 each.

“Soaring the Swells”
(Watercolors and pearl powder) $348
(Same-size giclee print, signed and dated, unframed) $165 each.

“Surf to Shore Treasures”
(250 thin layers of watercolors with gold leaf throughout, on 140 lb. rag paper) $235
(Same-size giclee print, signed and dated, unframed) $125 each.

“White Mountain’s Glory, N.H.”
(250 thin layers of watercolors on top of silver-flecked 140 lb. rag paper) $248
(Same-size giclee print, signed and dated, unframed) $130 each.

“Ocean’s Rhythm”
(220 thin layers of watercolors on top of silver-flecked 140 lb. rag paper) $235
(Same-size giclee print, signed and dated, unframed) $130 each.

“Sweet Dreams”
(mixed media: watercolors, water soluble oils, chalk pastels, oil pastels) $248
(Same-size giclee print, signed and dated, unframed) $80 each.

“Sacred Rain with 5 Holographs”
(150 thin layers of watercolors with gold flecks throughout and 45 carat liquid gold;
two paintings in one: lights on; lights off) $895
(Same-size giclee print without holographs, signed and dated, unframed) $450

“Flame Within”
(195 thin layers of watercolors with gold flecks throughout on 140 lb. rag paper) $275 (Same-size giclee print, signed and dated, unframed) $125

To inquire about purchasing any of Bonita's works, please contact me, Jennifer Judelsohn at (703)256-0485, or jennifer@soulworksstudio.com. I will do my very best to help you get the art that you love, that inspires you in your life.



Saturday, October 17, 2009

Evolution of Art: SPARK reception!

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I just walked into Beanetics for tonight's Evolution of Art reception for the SPARK show currently on exhibit through November 2nd. Already the place is hopping. Mark Owen Martin is playing beautiful harp music of his original compositions. There are a ton of artists and writers and friends of the creatives here. The place is jam-packed! The perfect place to be on a cold and rainy Saturday night! Great coffee! Great desserts! Great conversation! Great energy! Come on by and be a part of this community! Come by and be inspired!

Tonight's event is a bit more involved than most Beanetics receptions. Tonight we are hearing from several SPARK participants who created writings (stories or poems) or music in response to art. Since SPARK's inception in 2008, 125 people have participated in five rounds, many of them taking part in multiple rounds. Over the course of the project, 233 new pieces of art, writing, and music have been created.

Tonight we will hear readings from seven writers (Mary L. Tabor, Jacqueline Gaulin, Joanne Lozar Glenn, Cheryl Aubin, Charisse Cecil, Paula Tarnapol Whitacre, and Amy Moffitt) and original compositions for the harp by Mark Owen Martin.


Mary L. Tabor, a teacher at the Smithsonian, reads several poems she wrote in response to Mark Owen Martin's music. Mary's poetry conveys the rhythm of life and the intimate relationship of marriage and divorce. Her reading is melodious and syncopated. To read more of Mary's work, check out her memoir, "Sex After Sixty," which she is writing as a blog. Mary is also the author of "The Woman Who Never Cooked," a prize-winning short story collection available through Amazon.com.

Mark Owen Martin plays an original composition in response to Cheryl Leibovitz's painting, "A Day at the Lake," currently on display at Beanetics. Mark explains that his compositions are in response to the colors Cheryl uses. The first piece Mark plays is called "Lemon Yellow." Think light, happy, sunny, fresh... lovely.

The next reader, Jacqueline Gaulin, received her MA in writing-fiction from Johns Hopkins University. Jacqueline lives and works in Washington, DC, with her two bearded collies, whom she describes as well-read, patient, creative, endless sources of comic relief. Currently, Jacqueline is working on a short story collection. "The Parlor," tonight's reading, was inspired by a photo of the same name by Gabriel Shanks. The story captures the highlights of two marriages: a young one ended by divorce and an older one that seems to continue in spite of the death of the husband. The young woman is a case manager assigned to help the older woman move into an assisted living facility. It seems that the older woman is not ready to go, yet--as is often the case--the wisdom of age prevails as the older woman readies the younger woman to move on to the next phase of her own life. The reading is poignant and touching.

Mark Owen Martin follows with an appropriate piece, "Midnight Blue," that has a haunting, lilting quality. Mark's ability to capture and convey emotion so exquisitely is definitely worth noting! And to think, he's only played the harp for about a year...

Joanne Lozar Glenn is a freelance writer and editor by day and a creative nonfiction writer and instructor by night. Interested in trying your hand at creative nonfiction writing? Joanne sponsors annual "Get Away, Get Writing" retreats at the beach. Sounds like the perfect place to get those creative juices flowing. Joanne's readings tonight focus on her family--a topic that is her current inspiration. Joanne's first reading, "For Becca," was inspired by her daughter, Becca, when she was four. As is often the case, the piece took years to complete... Becca is now a senior in high school. Joanne's second reading, "Gift," is a poem to Joanne's brother, reminiscing about past summer family cookouts (a time of idyllic innocence) and the continuance of tradition. This poem was the inspiration for Cheryl Leibovitz's painting, "A Day at the Lake," also currently on display at Beanetics. Joanne's poems have a sensory quality that allows the listener to create a vivid image in the mind's eye. It is as if you are there, in the scene, breathing in the intimate connections, reminded of similar experiences in your own life or dreams.

Cheryl Somers Aubin has an MA in writing from Johns Hopkins University. Cheryl has been writing and publishing for 20 years. Cheryl's work has appeared in the Washington Post, the Boston Globe, Foundation magazine, and other publications. Cheryl also teaches memoir writing to seniors. Tonight, Cheryl's story captures the memories and emotions involved when an artist loses the love of his life, his beloved muse: How the loss of her changes his art; how he walks along the beach watching dolphins; how he scatters her ashes in the outgoing tide...

Charisse Cecil is a writer and artist from Alexandria, Virginia. Charisse received her BA in writing from George Mason University. Fairwell Stairwell, her poem inspired by a photograph by Brian MacDonald, is a memory of first love and the power and empowerment of a woman's mouth and voice!

Mark Owen Martin's "Radical Red" follows. It is a piece full of sinewy movement, rhythmic cadence, and depth... leaving you wanting more.

Paula Tarnapol Whitacre of Full Circle Communications normally doesn't write fiction. When she received a photograph from Rachel Morton of a stone statue of an ugly, bald man's head as inspiration, at first she felt stymied. Then she wrote a funny, witty piece of fiction telling the story of the relationship a woman develops with a statue that conveyed to her when she bought a house. The statue lived on the balcony. He was not a happy man. She was not a happy woman. She calls him "My Friend, Frank."

Amy Moffitt finishes out our readers for the evening. Amy writes "confessional poetry." Her first reading, a poem entitled "Memorial Day," describes a trip to the ocean shore, mirroring the nature of the ocean and the memory of someone she cannot stop thinking of. Her second reading is a piece of "flash fiction," 500 words or less, capturing an image--like a poem but without regard to rhythm. The piece describes the experience of a person riding on the subway, having a sudden awakening of awareness and realizing the awesomeness or miracle of every human being--and the need to sink back into oblivion because it is too much to maintain.

This was a fabulous evening celebrating the creative spirit and the inspiration of collaboration. Thank you to everyone for coming and being so enthusiastic!

If you are interested in participating in SPARK, Round 6 begins Wednesday, October 21, 2009. Contact Amy Souza immediately at SPARK_project@yahoo.com.

Check out SPARK at www.artspark.wordpress.com.

The next Evolution of Art show begins November 3rd, featuring artwork by Bonita Tabakin. Join us for her reception on Saturday, November 7th, from 7-9pm.




Monday, October 12, 2009

Evolution of Art: Join Us Saturday October 17th, 7-9pm, for SPARK reception!

'Click here to get all the details!'

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